In every human being’s life, there are some
ordinary, forgettable days, and some days that stand out because something
unusual happens. And then there are days that get etched so deeply in one’s
heart, that whenever one closes one’s eyes one gets transported back to those
days, and relives it in its entirety. The details do not fade with time;
if anything, they only become brighter and sharper, and one can think back to individual
incidents that made the days as incredible as they were. It has just been two
days, but I can safely claim that 28th, 29th and 30th
November were three such indelible days of my life, memories that I shall
cherish forever.
All of this began sometime last week when
our History teacher informed us about a peer guide training workshop for an
international travelling exhibition organized by the Anne Frank House of
Amsterdam in collaboration with the Seagull Foundation for the Arts in
Bhowanipur, Kolkata. The workshop was voluntary, and interested students had to
submit their names. It sounded quite interesting, and History being my
favourite subject, I instantly put my name down for it. A few days later, we
were informed that three of my classmates and I had been selected from school
to attend the workshop, which was to be held on 28th and 29th
of November, from 10 am to 5pm.
On Thursday, the four of us reached the
venue from school. They were depending on me for
directions because I had looked the place up on Google Maps, and fortunately for
us, we managed to reach the place without getting hopelessly lost on the
way!
The first thing that struck me when we reached
the place was that it was an old-ish, ordinary house. I felt a little let down,
but my spirits quickly revived when on entering we were ushered into a room
full of books and paintings. It had a wonderful smell so characteristic of new
books and fresh pages, that no book lover could possibly remain gloomy in such
an ambience. There were chairs laid out for the students. There were four
participating schools: La Martinere for Boys, Lakshmipat Singhania Academy, one
boy from Calcutta International School, and the four of us from Modern High
School for girls.
After all of us had settled down, we were
welcomed by members of The Seagull Foundation, and introduced to the two
ladies, Ms Priya Machado and Ms Louise (I never caught her surname!), who had
come down from the Anne Frank House in Amsterdam to organize the exhibition,
and to Mr. Aaron Peterer, who was to conduct the training workshop. Aaron took
over from there. The first thing he told us was that he was not a teacher, and
we should address him as just Aaron, no Mr. Peterer or Sir. I mention this as
though it was a seemingly insignificant incident, I kept feeling distinctly
uncomfortable addressing someone years my senior by his first name, since by
Indian custom I usually refer to someone his age as kaku (uncle) or at least dada
(elder brother)!
Right from the beginning, the workshop was
conducted in a very interactive manner. The first round was the introductory
round, where Aaron divided us into groups according to our birth dates and made
us share our names, their meanings and funny anecdotes about our names. It was
while we were doing this that he reminded us of something very important,
something that was the crux of the exhibition: whenever we come across a
stranger, we can safely assume one commonality between each other, a name. No
matter how different the other person is from you,she or he is bound to have a name, so why not concentrate on finding out more common
threads between each other, rather than differences?
After that we were taken to the actual spot
where the exhibition would be set up. Aaron showed us how to make the stands
and set up the exhibition panels, and then we ourselves put up the exhibition.
It felt wonderful, knowing that it was our own labour that would finally bring
the exhibition to the visitors. The four of us Modernites worked swiftly and
efficiently, and very soon we had set up all the panels in the last room. We
were praised by Ms Machado and Louise for our work, and felt all proud and
happy.
After we were done setting up the
exhibition, we went back to our room. Then began the actual discussions about
the subject matter of the exhibition. Aaron began by asking us the name of the
exhibition, and it was extremely embarrassing because not one of us could
recall it! The name was “Anne Frank- A History for Today”. That day, we
concentrated mainly on Anne Frank’s life and the world war. We were shown a
documentary film on Anne Frank’s life which showed us pictures from her childhood,
her time in the Secret Annexe and the one video recording that there is of her:
a chance video clip of her leaning out of her window overlooking a newly-wed
couple whose video was actually being shot.
Afterwards we discussed the Second World
War as the background of Anne’s story, and why her diary was considered to be
one of the most important accounts of the lives of Jews during the Third Reich.
We were then given a catalogue of the exhibition that contained details about
the pictures used in the panels. Then, we were randomly grouped and asked to
look at some of these pictures and select the favourite of the group among them.
We had to prepare our own poster with the selected picture as the focal point,
and think of questions we could ask regarding that picture. Later we realized that
it was actually an exercise to introduce us to the methods used while guiding a
group of visitors around an exhibition, but at that point none of us were too
sure what to make of the whole exercise. We were given chart papers, colours
and other art material to use for the posters. Aaron kept going around,
inspecting each table. I say inspecting, but he was in no way strict or authoritarian.
In fact, he seemed to be amused by our work. He kept hovering around my group’s
table and smirking at our progress, and occasionally teasing us about our creative
skills! He finally named us “the artists’ group”, because we were too busy
drawing a border to the poster to actually come up with proper questions regarding
the picture of our choice! The first day ended with our discussing the posters
in front of the other groups, and Aaron asked us to arrive half an hour early
the next day, which we Modernites were all too glad to do.
The next day we spent more time discussing
the relevance of Anne Frank’s diary in today’s world, because that was the
whole point of the exhibition. We discussed why Anne Frank should be called a
history for today, and why our generation would do well to learn lessons from
the past. We were shown another documentary called “Eye Witnesses”, where we
saw the interviews of Anne’s father Otto Frank, and Miep Gies, one of the four
of Otto Frank’s employees who had helped hide the Frank family and four other
Jews in the Secret Annexe. Also, throughout the day we were given practical
advice about being a good peer guide, and at one point were asked to make
another poster and jot down all the qualities essential in a good guide. We
were taught how to deal with “obnoxious students” who made it a point to
disrupt the tour, and how to keep the audience engaged and interested. We also
learnt that we should not simply lecture the audience about the panels in the
exhibition, but rather ask them to
participate by asking relevant questions and encouraging active discussions.
Aaron told each one of us to mentally create a red thread with about fifteen to
twenty five pictures in the entire exhibition to have a connecting line between
the different panels, which would help us carry on guiding in case we lose
thread at any point. He once again divided us into groups and asked us to
practise guiding each other. By the time it was five in the evening, all of us
were feeling quite confident about guiding. Just before dispersal, we were
given certificates from the Anne Frank House for having successfully completed
the training session.
The workshop had officially ended, but the
exhibition was to be inaugurated on the next day, at five in the evening. All
the Modern High girls volunteered to come. Out of us, the Anne Frank House
representatives randomly chose me to read out a passage from the Diary for the inauguration
ceremony. I was supposed to be there by four thirty, and accordingly I reached
Bhowanipur around that time. Then, like the certifiable dolt that I am, I managed
to lose my way and reached the house twenty minutes later! The Dutch embassy
had already arrived for the inauguration, and Ms. Machado quickly showed me
which passage I would have to read out. I practised a couple of times, and then
went to look for my classmates, who I found guiding our school’s director Ms. Devi
Kar around the exhibition. The inauguration started at around five thirty, and
continued for about twenty minutes. I was called to read my part, and was
greatly praised by many people. Then an elderly gentleman struck up a conversation
with me. Among other things he asked me where he could buy a copy of Anne Frank’s
diary in Kolkata to gift his grandchildren, and I gifted him an extra copy that
I happened to have bought on the way to the Seagull Foundation that very
evening! Afterwards there was a violin recital, and lots of tasty snacks. A boy
from La Marts and I even had a glass of red wine each, much to the amusement of
the adults present! The evening ended on a sweet note with me getting a picture
clicked with Aaron, and one with Ms. Machado and Louise. The time had passed all
too soon, and though I was happy, I felt more than a twinge of regret when I
left the building for the last time.
This post will not be complete unless I
dedicate a separate paragraph to Aaron Peterer. I have not attended many
workshops, but instinctively I can feel that it will be difficult for anyone
anywhere to conduct one as perfectly as Aaron did. Right at the outset he had
made clear that he was not an official teacher of History, but in spite of that
the two days with him gave me some of the finest History lessons I have ever
attended. In fact, his training was second only to my father’s History classes,
and that is saying a lot. The most wonderful thing about Aaron was how easily
he made all of us feel comfortable dealing with him. He was cheerful and friendly,
but not overly personal. He gave me the feeling that he was addressing me individually,
and the wonderful thing was that all of my friends felt the same way. What
better sign can there be of a fantastic teacher? He had this subtle way of
instructing us without ever seeming to deliver lectures. And the best thing
was, he taught us by example, and while listing the qualities of a perfect
guide, many of us felt that we would have
to add “like Aaron” at the end of our posters.
Aaron, if you are reading this somewhere, I
would like to thank you with all my heart, and on behalf of all my friends, who
no doubt feel the same way. The workshop would never have been a tenth as good
as it was if you were not there to train us. Thank you, and God willing, may we
get the opportunity to train under you many more times in future.
Aaron and I |
Louise, Ms. Machado and I |