Lately, I have been reading some of the
latest best-selling ‘young-adult’ books that have created waves among the
readers of our generation. They have brought up certain questions and
observations in my mind, which unfortunately are in great contrast with the
worldwide enthusiasm and praise that have been showered on these books.
Take the Hunger Games trilogy by Suzanne Collins for example. This I read on
the raving recommendation of someone whose taste in books I used to admire. The
series is set in a post-apocalyptic dystopian future where a totalitarian
government formed by the rich upper class rules with an iron hand. The society
is divided into ‘Districts’, each of which specialises in certain specific
economic activities. Intermingling is not allowed, and while some of the
districts which are closer to the ‘Capitol’, the city of the ruling class,
receive favours and mild treatment, the majority of the populace lives in
poverty and under varying degrees of tyranny of the local government officials.
The most defining – and the most horrifying – aspect of the society is the
‘Hunger Games’: an annual ‘sporting event’ reminiscent of the Roman
gladiatorial games in which one girl and one boy between the ages of twelve and
eighteen are chosen from each of the twelve Districts to kill and survive the
others until only one living winner arises in an arena designed and controlled by
the Capitol. This event is held as an enduring punishment to the districts for
a revolution that had been carried out against the Capitol during the early
days of the formation of society. The story revolves around Katniss Everdeen,
the girl ‘tribute’ from District Twelve and her male counterpart Peeta Mellark.
As they both go through the Games, an astounding and dangerous twist in the
Capitol’s plans occurs which makes another revolution imminent. Over the course
of three books, we see the journey of emancipation of the people led by Katniss
and her friends, as well as the development of the relationship between Katniss
and Peeta.
After finishing this trilogy, I was
disappointed, mainly because the person who had recommended it had led me to
expect a lot more from it. The idea was interesting, and with a little more
graceful handling of the characters and the language, the books would have been
much more praise-worthy.
The series that I read next was the Divergent trilogy by Veronica Roth. This
one was quite a disaster. To say that the plot was predictable would be a major
understatement, and if one happens to read it while the Hunger Games are still fresh in one’s mind – as I did – one will be
disgusted by the number of similarities between the two plots; Ms Roth can
easily be blamed for plagiarism. This series too is based in a post apocalyptic
world, not quite as dystopian as Panem of the Hunger Games, but still regimented in strict groups. At the age of
sixteen, girls and boys take aptitude tests that help them decide which faction
they want to belong to for the rest of their lives. At the risk of giving out
spoilers, I cannot help but describe at least some of the glaring similarities
with the HG series and the utter predictable-ness of the books.
·
As soon as the factions are
described, it becomes obvious to the reader which faction the protagonist Beatrice
Prior is going to choose, so the author’s attempt to build up an atmosphere of
uncertainty becomes rather boring.
·
Beatrice shares an
uncomfortably formal relation with her parents, which is eventually softened as
the dangers of the world come to light and through tragedy, quite like Katniss
and her hostile attitude towards her mother.
·
Both girls are special –
Katniss is the ‘Mockingjay’, Beatrice is a Divergent, and this makes them
leaders, though both are unwilling to step into their roles.
·
In both books, the protagonists
suffer a number of ignoble defeats and setbacks before they manage to come into
their own.
·
The fear landscapes of
Divergent are uncannily reminiscent of the Games arena of HG.
·
In the war that builds up,
certain factions gang up against the others, just as certain Districts fight in
favour of the Capitol till almost the very end.
·
Beatrice’s love interest Tobias
‘Four’ Eaton can easily be replaced by Katniss’s childhood friend and eventual
crush Gale.
·
Four is two years older than
Beatrice, and the fuss that has been made about this two-year age gap is
frankly ridiculous, and if this is what happens in American society today, I
have to say we Indians traditionally have had a much healthier attitude towards
such issues (though the American attitude has greatly affected today’s
youngsters).
In fact, I was so disappointed in the
Divergent series that after finishing the first two books in a hurry, I decided
to give the final part a miss. Maybe at some point when I feel like some chick
lit again, I will eventually get around to reading it. In fact, I must admit
that the only reason that I went through book two was because I had a fleeting crush
on the character Four, and once I was past that, the book seemed little better
than childish action thrillers.
The last in my list of YA fiction was the
current worldwide rage, The Fault in Our
Stars by John Green. Generally, I steer clear of teenage romantic dramas,
but everyone in my class seemed to be talking about it. Even one of my old
friends from my previous school – who never read books before I introduced her
to the Harry Potter series sometime in class nine – was gaga about it. I wanted
to read it just to understand what it was that was sending the girls of my
generation – and women much older, I hear – over the edge.
The book is about two young people who are
suffering from cancer. The girl Hazel Grace is terminal and knows it. She gets
into depression, is forced by her parents to join a cancer support group which
she initially despises, but eventually meets another boy who was a cancer
patient a year ago but is now certified ‘cancer-free’ by the doctors. This boy,
Augustus Waters changes the world of Hazel Grace and of so many women readers’,
apparently. For my part though, I find nothing exceptional about him. He is
described to be handsome, yes, but then most protagonists in teen fictions are.
People keep talking about the ‘Augustus Waters experience’, but I did not have
one. I found him to be exactly what he is: a young boy with a poor taste in
books and who is a video game addict and given to bombasting and philosophizing
about weird and completely unnecessary things. In fact, the writing style of
the book is something like that, but more about that later. Hazel Grace is
completely taken up by a book called An Imperial Affliction, the gist of which
seemed to me rather unfathomable, and I cannot for the world understand why
anybody would be so greatly fond of it. She recommends it to Augustus, who
promptly falls in love with it. Any charm that the character of Augustus could
have held for me was irrevocably destroyed when Augustus sends a text message
to Hazel something to the effect of “OMG please tell me what happens next!”
while discussing the book with her. OMG? Really?!
Eventually the two set out for Amsterdam to
meet the author of the said book, who turns out to be a pompous drunkard with a
marked lack of civility. They visit The Anne Frank House where they finally
realize and accept that they are in love. This part of the book was what
interested me the most, as I could imagine myself moving inside the historic
place, which I surely will one day. And I am pretty sure I already watched the
videos of Anne Frank’s father and other Jews mentioned in the book during our
workshop with AFH last year.
Later, Augustus acknowledges to Hazel that
his cancer has metastasised all over his body, and he is about to die. Hazel
continues to stand by him through his deterioration and eventual death. A few
days before he passes, Augustus arranges for a pre-funeral, where his friends
Hazel and Isaac, another cancer patient, read him eulogies where Hazel
acknowledges her love for him. The book ends with Hazel making a surprising
discovery which serves to increase her love for him. That’s about it.
It is an okay book, and there are many
others like it. The people in the book are if not positively unlikable, then
thoroughly ordinary. I will not make judgmental comments, because I believe
that people who are at death’s door have the right to behave as they please so
long as they are not disrupting social order. However, my question is why will
others want to read about such behaviour? Now about the language of the book. I
am one for refined language. It does not have to be flowery; however,
consistent use of colloquial language does nothing to enhance the quality of
the book. The book is written from the perspective of a typical American teenager,
and their manner of speaking has been depicted, and reading about the dialogues
and thoughts of a typical American teen (or a typical big city English-speaking
teen anywhere around the world, to be fair) is not a very entertaining or
educating experience. The thoughts expressed are often obscure, and I got the
feeling that the author has made a poor attempt at being philosophical,
something like in the book Sophie’s World.
This book, people are saying, shows us human love and suffering. But those
exact emotions have been explored and expressed with so much more depth and variety
in A Tale of Two Cities, How Green was My Valley, The Grapes of Wrath, A Thousand Splendid Suns and scores of
other books like them. So why this brouhaha about a chick lit?
After reading all these books, the real question
that kept bothering me was the levels to which the general tastes of people
have fallen. Many of those who are raving about these books have very likely
not heard of the books that I mentioned, much less read them. Most will not want to read them, because reading and
absorbing these books take so much toll on one’s mental and psychological
capacities, unlike today’s young adult fictions. What is so saddening is that
all that is called ‘great’ by today’s standards will never be able to hold a
candle to the real classics, the really great books. Unfortunately, today’s
sensation seeking ‘live-in-the-moment’ crowd had severely undermined the
meaning of superlatives through gross overuse. Now, The Fault in our Stars is a great romance, just as Romeo and Juliet. A time will come, I
suppose, when the John Greens and Stephanie Meyers will be replacing
Shakespeare and Shaw in school and college syllabi. God-willing, I will be done
with the education industry by then!
